Cinemas
A private cinema should feel like an escape, not a room full of equipment. We resolve acoustics, sightlines, picture and sound together, then hide every trace of them, so the lights go down, the film begins and the rest of the house simply stops existing.
The Room Is the Instrument.
Acoustics, sightlines, picture and sound resolved together, then hidden. A room engineered so the film starts and the house stops existing.

01
Acoustic Design
A cinema is built out of silence first. We treat the room before choosing a single component: absorption where it rings, isolation where it leaks, so what you hear is the film and nothing of the house around it.
02
Picture
The screen should end where the story begins. Projector, screen and masking are matched to the room’s throw and its darkness, so every format fills the frame completely and the edges simply disappear.
03
Immersive Sound
Sound is placed, not pointed. Speakers sit where the format was mixed to put them, around you, above you, beneath the floor, until the room stops having corners and every scene has a direction.
04
Sightlines
Geometry decides comfort long before upholstery does. Seat height, distance and rake are set so every row looks straight into the centre of the picture, and nobody spends the second half adjusting.
05
Full Control
One press, and the room agrees. Lights fade, shades close, the screen descends and the projector wakes, in the right order, and reversing just as quietly when the credits end.
06
Calibration
The last ten percent is measured, not assumed. Picture and sound are calibrated in the finished room, with the seats in place and the doors closed: the only room you will ever watch in.

Lights Down. Show On.
Let’s talk about your home.
Tell us what you have in mind and our team will design the right solution for the way you live.




